Sunday, October 31, 2010

The Social Network

This film has been getting good reviews and I just couldn't fathom why. It seemed like it would be in the same vein as the Jobs v. Gates film Pirates of Silicon Valley and all of its made-for-TV glory. And in some ways, it is. We get the story of the invention and development of Facebook and some of the back story on the main players (primarily Mark Zuckerberg). We get the tension between Zuckerberg and his co-founder Eduardo Saverin, his Harvard elitist enemies and basically the world. And we get a story of how a nerd is finally in charge of something cool and are left wondering if he really is seeing a long term view in building this thing, or whether he is just a nerd who can't deal with letting his coolness fade. I was engaged throughout this film and am really having a hard time point a finger to a specific reason. I guess I will attribute it to good acting and an engaging story that wasn't just paparazzi news.

One thing that I did find fascinating is the lack of a sympathetic protagonist. Instead, there were three distinct types of asses that drove the film. Zuckerberg, Sean Parker (of Napster fame) and the Harvard elite. Zuckerberg was an ass to most people, but I don't think he knew that he was. He was simply not engaged with the relational part of any relationship he had and was instead engaged with the intellectual gamesmanship that a relationship provided. This carried over into his business as well and I will call him the Intellectual Ass. Parker was portrayed as a "F--- the Man" ass who was really about being the "The Man 2.0". Everything revolves around "The Man 2.0" and he thinks he is so revolutionary that no one would confuse him with The Man, but it is painfully obvious that he is just a Narcissistic Ass. Finally, there are the Harvard elite asses. I use Harvard here because that was the role played in the film by the Winklevoss brothers (I have no particular gripe with Harvard). Their particular brand of ass-ness is based on inherited wealth and entitlement. They are in fact The Man, even as 20-something undergrads. All of this leads me to wonder if there is in fact a classification of asses. For example, is there an enneagram of asses, where different ass types have specific characteristics? I am sure there are and I am sure that the three named here are pretty common. It was just interesting to see three distinct types (Intellectual, Narcissistic and Elitist Ass) portrayed so clearly and distinctly in a single film.
4 stars (out of 5)

1 comment:

ben wideman said...

Not a half-assed review, Ty! This might be my favorite review ever on CineBux.